On "the best" Mesa/Boogie amplifier

Oh, man... Isn't this just a matter of personal preference? Mesa/Boogie makes a lot of different amps to appeal to different players. If I tell you that I like their vintage-sounding amps more than the modern-sounding amps, it says nothing at all about whether one is better than the other.

I've owned^* or played all of these Mesa/Boogie amps:

• Rocket 44 1x12 combo
• Nomad 45 1x12 combo
• Nomad 55 1x12 combo^*
• Nomad 100 2x12 combo
• Mark IV 1x12 widebody combo^*
• Mark IV narrow head^* w/three different cabs
  • Thiele 1x12 w/Celestion 90^*
  • Recto 1x12 w/Vintage 30^*
  • A 1980s M/B half-back vertical 2x12 with an EVM-12L in the bottom and a Celestion 90 in the top^*
• Blue Angel 1x12 combo^*
• Maverick 1x12 combo with an Eminence speaker^*
• DC-5 1x12 combo^*
• Recto Solo 50 head through a Recto 4x12 cab
• Rectoverb 2x12 combo
• Heartbreaker 2x12 combo^*
• Mark III simulclass combo^*

I may have forgotten some. (It helps that I have a M/B dealer within walking distance of the office.) They're all good amps.

My least favorite was the Solo 50 head through the 4x12 Recto cab. I found that to have too much emphasis on the low-mids for my taste.

Next on the list of least favorites would have to be the Nomad. Their high-gain channels are too thin sounding for me, and the reverb just doesn't sound as good as on M/B's other amps.

I like the DC-5 as a nice "borderline" amp - it does a competent job of straddling the line between old-school and new-school sounds.

For blues, the Blue Angel is tops. Not a great practice amp, though.

For warm clean and crunch sounds, the Heartbreaker is great.

The Maverick is really good for pop / psychedelic / shoegaze styles. It doesn't have the headroom of the big-bottle amps.

The Mark IV works well for prog and jazz and lots of other genres; it's incredibly flexible. I don't like its crunch sound as much as I like the Hearbreaker's crunch, though.

So, what was the question?