David Lamkins
http://lamkins-guitar.com/music/tags
David Lamkins picked up his first guitar a long time ago. As best he can recall the year was 1967: the year of the Summer of Love. Four decades later David has conjured up an amalgam of folk, rock and jazz solo guitar music for the occasional intimate Portland audience.
location: Portland, OR USA

Facets: David Lamkins, guitarist, @tags info
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Index

'64 Vibroverb Custom
'64 Vibroverb Custom review
A.R.T.
Bits and pieces
A.R.T. Tube PAC
AER
AER Amp One
AER Compact 60, Rev. 2
A survey of lightweight rigs
Weight reduction
Acoustic Image
A survey of lightweight rigs
Almost Milwaukie
About Almost Milwaukie
Behringer
Behringer FCB-1010
Boss
Bits and pieces
Boss RE-20
Digitech RP350
Boss RT-20
Boss RT-20 rotary simulator reviewed
A survey of lightweight rigs
Boss VF-1
Vibro-King distortion
Bret Holtz
Anatomy of a listening test
Burning Man
Hippie Music
Countryman
Countryman Type 85
Digitech
Digitech DigiVerb
Digitech RP350
A survey of lightweight rigs
Edirol
Edirol PCR-50 Keyboard
Electro-Harmonix
Electro-Harmonix Stereo Memory Man with Hazarai
Electro-Harmonix SMMH vs. Eventide TimeFactor
Epiphone
Epiphone EB-0
Eventide
Electro-Harmonix SMMH vs. Eventide TimeFactor
Fender
Changing tastes
Losing my Boogie "religion"
A survey of lightweight rigs
Too much gain!
Fender Trans-Impedance Power Attenuator
'64 Vibroverb Custom review
Vibro-King Sound & Settings
Vibro-King setup
How does the Vibro-King compare to a tweed or blackface Fender amp?
Fractal Audio
A survey of lightweight rigs
Gibson
On Gibson's MAGIC and guitars
Vibro-King Sound & Settings
Grateful Dead
Grateful Dead
Phil Lesh: "Searching for the Sound"
Hot Plate
The Vibro-King and the Hot Plate
Ibanez
Ibanez SR530
Joe Williams
What's new? (09-2008)
Koll
Koll Custom DL
Koll Custom DL #2
Koll Custom DL Gallery
Koll Custom DL Specs
Koll Custom DL #2 specs
Korg
Korg LCA-120 Chromatic Tuner
Kritz
Kritz DH-111t
Lectrosonics
Lectrosonics IS-400 Wireless System Review
Les Paul
On artist signature guitars
Leslie
Leslie 147
Line6
A survey of lightweight rigs
MAGIC
On Gibson's MAGIC and guitars
Mary-Suzanne
About Almost Milwaukie
May 2007 Rosedrop Media Circus podcast
Mesa/Boogie
On "the best" Mesa/Boogie amplifier
Troubleshooting the Blue Angel
Changing tastes
Mesa-Boogie Lone Star Review
Losing my Boogie "religion"
A survey of lightweight rigs
Too much gain!
Mike Birchet
May 2007 Rosedrop Media Circus podcast
Paul Kantner
Are DJs ruining the live-music scene?
Peavey
A survey of lightweight rigs
Peterson
Bits and pieces
Peterson VS-F StroboFlip Virtual Strobe Tuner
Phil Lesh
Phil Lesh: "Searching for the Sound"
Radial
Bits and pieces
Radio Shack
Bits and pieces
Robert Madrid
May 2007 Rosedrop Media Circus podcast
Rocktron
Rocktron Deep Blue Chorus
Roland
Bits and pieces
Roland CM-30 CUBE Monitor
Roland SH-32 Synthesizer
A survey of lightweight rigs
Rosedrop Media Circus
May 2007 Rosedrop Media Circus podcast
Spencer
Spencer
Stephen Caird
What's new? (09-2008)
TASCAM
TASCAM 2488mkII Portastudio
THD
Too much gain!
Tapco
Tapco MIX100
Tone King
A survey of lightweight rigs
Tweed
Too much gain!
Vibro-King
Biasing the Vibro-King "by ear"
My favorite amp
Reverb first?
'64 Vibroverb Custom review
Vibro-King headroom
The Vibro-King and the Hot Plate
Vibro-King distortion
Vibro-King Sound & Settings
Vibro-King setup
Vibro-King "Ticking Tremolo" Fix
Even better Vibro-King "Ticking Tremolo" fix
How does the Vibro-King compare to a tweed or blackface Fender amp?
Visual Sound
Bits and pieces
Pedal Board 2.0
Vox
A survey of lightweight rigs
Yamaha
Yamaha QY700 Sequencer/Synthesizer
Yamaha STAGEPAS 300
Zoom
Zoom H2 field recorder
accessories
Bits and pieces
Countryman Type 85
Behringer FCB-1010
A.R.T. Tube PAC
amplifiers
Is a 50-watt amp too loud?
My Choices
A/B switchers
Adjusting Amps
Advances in Technology, Revisited
Advice for first-time amp buyers
AER Amp One
AER Compact 60, Rev. 2
On amp construction
Amp Acquisition - An Education?
Amplifier Evolution
Help, my amp hisses!
Amp Loudness
On amplifier power
Amp troubleshooting tips
On amplifiers and effects
Are tube amps right for small venues?
Are tubes good enough for the future of guitar music?
On power attenuators
Biasing the Vibro-King "by ear"
Blackface vs. Tweed
On the Mesa/Boogie Blue Angel's headroom
Troubleshooting the Blue Angel
Bonding with my Gear
Boutique Amps
Are boutique amps just another amp in the end?
BTPDX April 2004 Notes
On buying a used amp
Changing tastes
On channels... to switch or not?
Amplifier "class" distinctions are useless
The "Class-A" illusion
Roland CM-30 CUBE Monitor
Complexity and tone
The future of digital guitar amplifiers
Digital rig pros and cons
Effect loop pitfalls
The end of innocence
My favorite amp
Feedback vs. volume
"Fender Clean"
Flat EQ for guitar
Gain, volume and dynamics
Ground switches and "death caps"
Playing guitar through a full-range amp
I have to use a modeling rig!
The importance of guitars vs. amps
Traynor K4 vs. Yamaha STAGEPAS 300
Mesa-Boogie Lone Star Review
Losing my Boogie "religion"
Tube amp attack sensitivity at home
Maybe it's not a phase, after all...
Modelers vs. Tube Amps (1)
Modelers vs. Tube Amps (2)
Modelers vs. Tube Amps (3)
More power!
Multi-Amp Pitfalls
On multi-amp setups
On multi- vs. single-channel amps
Tube amps for quiet play
On "real" guitar amplifiers
Simpler, ever simpler
Simplicity
Solo guitar sound
Speaker Cables vs. Guitar Cords
Yamaha STAGEPAS 300
How to use a standby switch
A survey of lightweight rigs
On the 3dB rule
Too much gain!
Touch dynamics
On touch-sensitive amps
What is "touch-sensitive"?
Amp terminology: Touch Sensitivity
Tubes vs. transistors
Turn that amp down!
Used amps
The Vibro-King and the Hot Plate
Vibro-King Sound & Settings
Vibro-King setup
Vibro-King "Ticking Tremolo" Fix
Even better Vibro-King "Ticking Tremolo" fix
How does the Vibro-King compare to a tweed or blackface Fender amp?
Weight reduction
Which FRFR system should I buy?
attenuators
On amplifier power
On power attenuators
Gain, volume and dynamics
Fender Trans-Impedance Power Attenuator
The Vibro-King and the Hot Plate
Vibro-King distortion
attitude
Are you happy?
Assembling a band
Balancing music vs. gear aquisition
Combatting GAS
Digital rig pros and cons
Dignity and respect
Dinosaur guitarists
Are DJs ruining the live-music scene?
Electric guitar as a folk instrument
On guitar store etiquette
GAS-less
Gear vs. talent
Sounding good with the gear you have
Geezers
Hearing with your eyes
Hippie Music
I have to use a modeling rig!
The importance of guitars vs. amps
Improving as a player
Life after bands
Musicianship vs. Sound Reinforcement
Next steps
Old Dogs, New Tricks
Portland's music scene
Sequenced Live Music
Solo performance
Technological Obsessions
Technology vs. passion
Tips for guitarists
Does the "tone chase" ever end?
Tone Secrets
Are guitar players stuck in the past?
The voice is not the message
background
Electric guitar as a folk instrument
Evolution and Contradiction
Solo Improv Guitar
My technical background
Why play?
basses
Epiphone EB-0
Ibanez SR530
books
"The Cult of the Amateur" & Music
Phil Lesh: "Searching for the Sound"
business
Advances in technology
On artist signature guitars
Beware of placing form over content
Boutique Amps
"The Cult of the Amateur" & Music
Dignity and respect
Do you really get what you pay for?
Golden Age, or beginning of the end?
Will you pay to self-distribute your music on the internet?
Big Music can no longer afford talent
Lies, damn lies and specs
Guitar-magazine reviews
The Music Industry is not Broken
Portland's music scene
Will the recording industry become obsolete?
Are guitar players stuck in the past?
cables
My Choices
Anatomy of a listening test
Anectdotes, Theories and Facts
Bonding with my Gear
Cable comparison, part 1
Cable comparison, part 2
Cable Nuances Revisited
Guitar cords - what's important?
High-end Cables
How many true-bypass pedals is too many?
On magic cables
Making your own cables
Multi-Amp Pitfalls
True bypass, cables and buffers
cat
Spencer
collaboration
What's new? (09-2008)
comparison
Anatomy of a listening test
On "the best" Mesa/Boogie amplifier
Blackface vs. Tweed
Boutique gear?
Boutique vs. commodity pedals
Are boutique amps just another amp in the end?
BTPDX April 2004 Notes
Cable comparison, part 1
Cable comparison, part 2
Cable Nuances Revisited
On channels... to switch or not?
Delay effect comparison
Digital rig pros and cons
Electronic tuners
The end of innocence
Traynor K4 vs. Yamaha STAGEPAS 300
Leslie Emulators
Losing my Boogie "religion"
Maybe it's not a phase, after all...
Modelers vs. Tube Amps (1)
Modelers vs. Tube Amps (2)
Modelers vs. Tube Amps (3)
Multieffects vs. pedals
The Internet and the Quest for Perfection
Digitech RP350
Electro-Harmonix SMMH vs. Eventide TimeFactor
A survey of lightweight rigs
Too much gain!
Tubes vs. transistors
'64 Vibroverb Custom review
How does the Vibro-King compare to a tweed or blackface Fender amp?
construction
On amp construction
Boutique Amps
Boutique gear?
Guitar cords - what's important?
So you want a custom guitar?
Longevity of digital gear
Making your own cables
Ordering a Custom Guitar
custom
Koll Custom DL
Koll Custom DL #2
Koll Custom DL Gallery
Koll Custom DL Specs
Koll Custom DL #2 specs
digital
On Gibson's MAGIC and guitars
Advances in Technology, Revisited
Advice for first-time amp buyers
Are tube amps right for small venues?
Are tubes good enough for the future of guitar music?
Box of 1,000 sounds
The future of digital guitar amplifiers
Longevity of digital gear
Digital guitars
Digital rig pros and cons
Benefits of a digital guitar rig
Effect loop pitfalls
I have to use a modeling rig!
Lectrosonics IS-400 Wireless System Review
Maybe it's not a phase, after all...
Modelers vs. Tube Amps (1)
Modelers vs. Tube Amps (2)
Modelers vs. Tube Amps (3)
Multieffects vs. pedals
Obsolescence
distortion
Advice for first-time amp buyers
On amplifier power
On power attenuators
Blackface vs. Tweed
On the Mesa/Boogie Blue Angel's headroom
Effect loop pitfalls
The end of innocence
"Fender Clean"
Gain, volume and dynamics
Losing my Boogie "religion"
Simpler, ever simpler
On the 3dB rule
Too much gain!
What is "touch-sensitive"?
The Vibro-King and the Hot Plate
Vibro-King distortion
distribution
"The Cult of the Amateur" & Music
Golden Age, or beginning of the end?
Will you pay to self-distribute your music on the internet?
Big Music can no longer afford talent
The Music Industry is not Broken
echo
Echo Roundup
Electro-Harmonix SMMH vs. Eventide TimeFactor
effects
My Choices
On amplifiers and effects
Bonding with my Gear
Clean boosts and compressors
Boutique vs. commodity pedals
Bypass
Delay effect comparison
Digital rig pros and cons
Digitech DigiVerb
Echo Roundup
Effect loop pitfalls
Effects devolution continues
On effects
Effects?
On guitar synths
How many true-bypass pedals is too many?
Korg LCA-120 Chromatic Tuner
Leslie 147
Leslie Emulators
Multieffects vs. pedals
Pedal Board 2.0
Pedal hangover
Peterson VS-F StroboFlip Virtual Strobe Tuner
My pedal pops!
Boss RE-20
Reverb first?
On reverb
Rocktron Deep Blue Chorus
Digitech RP350
Boss RT-20
Boss RT-20 rotary simulator reviewed
Simple Gear, Complex Music
A minimalist pedalboard
Electro-Harmonix Stereo Memory Man with Hazarai
Electro-Harmonix SMMH vs. Eventide TimeFactor
Solo guitar sound
Solo performance
True bypass, cables and buffers
"True-Bypass" revisited
Boss VF-1
Vibro-King distortion
Weight reduction
endorsement
On artist signature guitars
entitlement
Are DJs ruining the live-music scene?
Hippie Music
evaluation
2007 in review
Amp Acquisition - An Education?
Help, my amp hisses!
Anatomy of a listening test
Anectdotes, Theories and Facts
Are you happy?
Balancing music vs. gear aquisition
Boutique gear?
Boutique vs. commodity pedals
On buying a used amp
Cable comparison, part 1
Cable comparison, part 2
Cable Nuances Revisited
Changing tastes
Benefits of a digital guitar rig
"Fender Clean"
GAS-less
Is it the gear, or not?
Playing guitar through a full-range amp
High-end Cables
Import guitars
Keep Searching
Losing my Boogie "religion"
The Internet and the Quest for Perfection
Suggestions for guitarists
A survey of lightweight rigs
Does the "tone chase" ever end?
Used amps
Vibro-King setup
How does the Vibro-King compare to a tweed or blackface Fender amp?
fetishism
On amp construction
Anectdotes, Theories and Facts
Balancing music vs. gear aquisition
Beware of placing form over content
Combatting GAS
Geezers
Hearing with your eyes
Online guitar forums
Technological Obsessions
"Tone" is not the goal
Can you have too many guitars?
Are guitar players stuck in the past?
fix
Vibro-King "Ticking Tremolo" Fix
Even better Vibro-King "Ticking Tremolo" fix
gatherings
Musical journeys: Reflections on a gathering
Online guitar forums
goals
2006 Musical Goals
2006 in review
2007 Musical Goals
2007 in review
2008 Musical Goals
Are you happy?
Assembling a band
Balancing music vs. gear aquisition
Musical Clichés
Combatting GAS
Developing creativity
Dignity and respect
Does gear define the player?
The Downside of Cliches
Electric guitar as a folk instrument
GAS-less
Do you want good tone?
Improving as a player
Life after bands
Musical Evolution
Musical Goals
Next steps
Old Dogs, New Tricks
Reconsidering the "palette" analogy
The Internet and the Quest for Perfection
Shop, or play?
Solo Improv Guitar
Solo performance
Suggestions for guitarists
Tips for guitarists
"Tone" is not the goal
Can you have too many guitars?
The voice is not the message
What's new? (09-2008)
Why play?
guitar shops
On guitar store etiquette
guitars
My Choices
Bonding with my Gear
Comfort above all else
So you want a custom guitar?
Digital guitars
Feedback vs. volume
Flat EQ for guitar
On multiple guitars
Import guitars
The importance of guitars vs. amps
Koll Custom DL
Koll Custom DL #2
Koll Custom DL Gallery
Koll Custom DL Specs
Kritz DH-111t
More Tone Secrets
Ordering a Custom Guitar
Simplicity
Solo guitar sound
Can you have too many guitars?
Touch dynamics
On guitars... a block of wood?
hippies
Hippie Music
history
Advances in technology
Amplifier Evolution
"The Cult of the Amateur" & Music
Are DJs ruining the live-music scene?
The Downside of Cliches
Geezers
Grateful Dead
Ground switches and "death caps"
The Music Industry is not Broken
Musical Evolution
My musical influences
Obsolescence
Technological Obsessions
Technology vs. passion
human nature
Anectdotes, Theories and Facts
Are you happy?
Art vs. artifice
Assembling a band
Aural fatigue and dialing in your rig
Balancing music vs. gear aquisition
Beware of placing form over content
Combatting GAS
Does gear define the player?
The Downside of Cliches
Earplugs and band volume
Electric guitar as a folk instrument
On guitar store etiquette
Gear advice
Gear vs. talent
Sounding good with the gear you have
Geezers
Do you really get what you pay for?
Hippie Music
So, how good are you?
Improving as a player
On magic cables
Old Dogs, New Tricks
Online guitar forums
Ordering a Custom Guitar
Will the recording industry become obsolete?
Shop, or play?
Solo performance
Technological Obsessions
Tips for guitarists
Does the "tone chase" ever end?
Can you have too many guitars?
The voice is not the message
A moment of Zen
influences
Musical Clichés
Developing creativity
Does gear define the player?
The Downside of Cliches
Musical Evolution
My musical influences
Musical journeys: Reflections on a gathering
Solo Improv Guitar
Strings and finesse
Tips for guitarists
Why play?
instruction
Electric guitar as a folk instrument
loudness
Is a 50-watt amp too loud?
Advances in Technology, Revisited
Advice for first-time amp buyers
Amp Loudness
On amplifier power
Are tube amps right for small venues?
On power attenuators
On the Mesa/Boogie Blue Angel's headroom
Digital rig pros and cons
Earplugs and band volume
Feedback vs. volume
Playing guitar through a full-range amp
Tube amp attack sensitivity at home
More power!
On increased sound level with multiple speakers
Musicianship vs. Sound Reinforcement
How loud is too loud?
Tube amps for quiet play
Small-club live sound
Small-club live sound, revisited
On the 3dB rule
Turn that amp down!
The Vibro-King and the Hot Plate
Small amps and big PAs?
marketing hype
Advances in technology
The "Real" Rules for Buying an Amp
Anectdotes, Theories and Facts
Balancing music vs. gear aquisition
Beware of placing form over content
Boutique Amps
Boutique gear?
Bypass
Digital guitars
Geezers
Do you really get what you pay for?
Keep Searching
Lies, damn lies and specs
On magic cables
Online guitar forums
Technological Obsessions
Tone Secrets
"True-Bypass" revisited
mod
Vibro-King "Ticking Tremolo" Fix
Even better Vibro-King "Ticking Tremolo" fix
motivation
2006 Musical Goals
2006 in review
2007 Musical Goals
2007 in review
2008 Musical Goals
Assembling a band
Balancing music vs. gear aquisition
Combatting GAS
Comfort above all else
Dignity and respect
The Downside of Cliches
Electric guitar as a folk instrument
GAS-less
Gear advice
Sounding good with the gear you have
Improving as a player
Life after bands
On motivation and GAS
Musical Evolution
Musical Goals
Musical journeys: Reflections on a gathering
Next steps
Old Dogs, New Tricks
Playing in "the zone"
Portland's music scene
Sequenced Live Music
Shop, or play?
Solo Improv Guitar
Technological Obsessions
Why play?
music theory
2006 Musical Goals
2006 in review
2007 in review
Improving as a player
Musical Evolution
Musical Goals
Old Dogs, New Tricks
Why play?
opinion
Are tubes good enough for the future of guitar music?
Best (and worst) musical performances
Blackface vs. Tweed
Complexity and tone
Digital guitars
Benefits of a digital guitar rig
Geezers
Golden Age, or beginning of the end?
Guitarist or musician?
So, how good are you?
Import guitars
The importance of guitars vs. amps
Big Music can no longer afford talent
Guitar-magazine reviews
The Music Industry is not Broken
Online guitar forums
Reconsidering the "palette" analogy
On "real" guitar amplifiers
Will the recording industry become obsolete?
Sequenced Live Music
Simple Gear, Complex Music
Small-club live sound
Small-club live sound, revisited
Sound Reinforcement in Small Rooms
My, what a strange rig you have
Suggestions for guitarists
Technical perfection vs. the element of surprise
Things I need to be reminded of...
On "tone"...
Does the "tone chase" ever end?
"Tone" is not the goal
On the quest for tone
Tone Secrets
"Tone", amps and players
Small amps and big PAs?
performance
2007 in review
About Almost Milwaukie
Adjusting Amps
Amp Acquisition - An Education?
Art vs. artifice
Best (and worst) musical performances
Clean boosts and compressors
Boutique gear?
Musical Clichés
Complexity and tone
Dinosaur guitarists
Direct-to-PA
Are DJs ruining the live-music scene?
Earplugs and band volume
Effects devolution continues
Effects?
The end of innocence
Feedback vs. volume
"Fender Clean"
Solo Improv Performance
On gear and performance
Gear vs. talent
Geezers
Gig kit
On guitar synths
I have to use a modeling rig!
Losing my Boogie "religion"
May 2007 Rosedrop Media Circus podcast
On multi-amp setups
Musical Evolution
Musical Goals
Musicianship vs. Sound Reinforcement
How loud is too loud?
Old Dogs, New Tricks
Reconsidering the "palette" analogy
Playing in "the zone"
Sequenced Live Music
Simple Gear, Complex Music
Simplicity
Small-club live sound
Small-club live sound, revisited
Solo guitar sound
Solo Improv Guitar
Solo performance
Sound Reinforcement in Small Rooms
On string gauges
Strings and finesse
First time in a studio?
Technical perfection vs. the element of surprise
On the 3dB rule
Tips for guitarists
On "tone"...
Does the "tone chase" ever end?
On the quest for tone
Tone Secrets
Too much gain!
On touch-sensitive amps
What is "touch-sensitive"?
Vibro-King Sound & Settings
"Tone", amps and players
Which FRFR system should I buy?
Small amps and big PAs?
philosophy
Art vs. artifice
Balancing music vs. gear aquisition
Beware of placing form over content
Developing creativity
Digital rig pros and cons
Direct-to-PA
Are DJs ruining the live-music scene?
Electric guitar as a folk instrument
Evolution and Contradiction
Gear advice
Is it the gear, or not?
Hearing with your eyes
I have to use a modeling rig!
Improving as a player
Musical journeys: Reflections on a gathering
Old Dogs, New Tricks
Online guitar forums
Reconsidering the "palette" analogy
Playing in "the zone"
Simpler, ever simpler
Solo Improv Guitar
Things I need to be reminded of...
Tips for guitarists
Can you have too many guitars?
The voice is not the message
Weight reduction
Why play?
photos
TASCAM 2488mkII Portastudio
AER Amp One
AER Compact 60, Rev. 2
Bits and pieces
Roland CM-30 CUBE Monitor
Countryman Type 85
Digitech DigiVerb
Epiphone EB-0
Behringer FCB-1010
Zoom H2 field recorder
Ibanez SR530
Koll Custom DL
Koll Custom DL #2
Koll Custom DL Gallery
Korg LCA-120 Chromatic Tuner
Kritz DH-111t
Leslie 147
Edirol PCR-50 Keyboard
Peterson VS-F StroboFlip Virtual Strobe Tuner
Yamaha QY700 Sequencer/Synthesizer
Boss RE-20
Rocktron Deep Blue Chorus
Digitech RP350
Boss RT-20
Roland SH-32 Synthesizer
Electro-Harmonix Stereo Memory Man with Hazarai
Yamaha STAGEPAS 300
Tapco MIX100
A.R.T. Tube PAC
Boss VF-1
physics
Anatomy of a listening test
Anectdotes, Theories and Facts
Cable comparison, part 1
Cable comparison, part 2
Cable Nuances Revisited
Guitar cords - what's important?
Playing guitar through a full-range amp
High-end Cables
How many true-bypass pedals is too many?
On magic cables
More power!
Multi-Amp Pitfalls
On increased sound level with multiple speakers
Speaker Cables vs. Guitar Cords
How to use a standby switch
On string gauges
Strings and finesse
True bypass, cables and buffers
Turn that amp down!
On guitars... a block of wood?
power
Is a 50-watt amp too loud?
Advice for first-time amp buyers
Amp Loudness
On amplifier power
Are tube amps right for small venues?
On power attenuators
On the Mesa/Boogie Blue Angel's headroom
Playing guitar through a full-range amp
Tube amp attack sensitivity at home
More power!
Tube amps for quiet play
Which FRFR system should I buy?
preferences
My Choices
Amp Acquisition - An Education?
Aural fatigue and dialing in your rig
Blackface vs. Tweed
Bonding with my Gear
Changing tastes
On channels... to switch or not?
Complexity and tone
So you want a custom guitar?
Does gear define the player?
Effects devolution continues
On effects
Effects?
The end of innocence
My favorite amp
On gear and performance
Gear vs. talent
Do you want good tone?
On multiple guitars
The importance of guitars vs. amps
Keep Searching
Losing my Boogie "religion"
Maybe it's not a phase, after all...
On multi-amp setups
On multi- vs. single-channel amps
Musical Evolution
Reconsidering the "palette" analogy
Pedal hangover
On reverb
Simple Gear, Complex Music
Simplicity
Solo Improv Guitar
My, what a strange rig you have
Things I need to be reminded of...
Does the "tone chase" ever end?
On the quest for tone
Too much gain!
Why play?
preparation
Gig kit
Making your own cables
Playing in "the zone"
First time in a studio?
recording
2006 Musical Goals
2006 in review
2008 Musical Goals
TASCAM 2488mkII Portastudio
Computer-based recording
"The Cult of the Amateur" & Music
Zoom H2 field recorder
May 2007 Rosedrop Media Circus podcast
The Music Industry is not Broken
Playing in "the zone"
Solo Improv Guitar
First time in a studio?
What's new? (09-2008)
respect
Dignity and respect
Are DJs ruining the live-music scene?
On guitar store etiquette
Geezers
Musical Goals
Online guitar forums
Ordering a Custom Guitar
Portland's music scene
Technical perfection vs. the element of surprise
Tips for guitarists
reverb
My favorite amp
Reverb first?
On reverb
Simpler, ever simpler
review
TASCAM 2488mkII Portastudio
AER Amp One
AER Compact 60, Rev. 2
On "the best" Mesa/Boogie amplifier
On the Mesa/Boogie Blue Angel's headroom
Clean boosts and compressors
BTPDX April 2004 Notes
Roland CM-30 CUBE Monitor
Countryman Type 85
Digitech DigiVerb
Echo Roundup
Electronic tuners
Epiphone EB-0
Behringer FCB-1010
Zoom H2 field recorder
Ibanez SR530
Traynor K4 vs. Yamaha STAGEPAS 300
Koll Custom DL
Koll Custom DL #2
Korg LCA-120 Chromatic Tuner
Kritz DH-111t
Lectrosonics IS-400 Wireless System Review
Phil Lesh: "Searching for the Sound"
Leslie Emulators
Mesa-Boogie Lone Star Review
Peterson VS-F StroboFlip Virtual Strobe Tuner
Boss RE-20
Rocktron Deep Blue Chorus
Digitech RP350
Boss RT-20
Boss RT-20 rotary simulator reviewed
Electro-Harmonix Stereo Memory Man with Hazarai
Yamaha STAGEPAS 300
A survey of lightweight rigs
A.R.T. Tube PAC
Boss VF-1
'64 Vibroverb Custom review
safety
Ground switches and "death caps"
service
Biasing the Vibro-King "by ear"
set-up
A/B switchers
Aural fatigue and dialing in your rig
Comfort above all else
Direct-to-PA
Effect loop pitfalls
How many true-bypass pedals is too many?
More Tone Secrets
Multi-Amp Pitfalls
Multieffects vs. pedals
Reconsidering the "palette" analogy
Strings and finesse
True bypass, cables and buffers
Vibro-King Sound & Settings
Vibro-King setup
Weight reduction
settings
Flat EQ for guitar
Solo guitar sound
Vibro-King headroom
Vibro-King setup
sound engineering
Are tube amps right for small venues?
DIs, Speaker Simulators and Amp Modelers
Direct-to-PA
Feedback vs. volume
On gear and performance
Grateful Dead
More power!
Musicianship vs. Sound Reinforcement
How loud is too loud?
Simpler, ever simpler
Small-club live sound
Small-club live sound, revisited
Sound Reinforcement in Small Rooms
On the 3dB rule
Turn that amp down!
Which FRFR system should I buy?
Small amps and big PAs?
speakers
Is a 50-watt amp too loud?
Advances in Technology, Revisited
Advice for first-time amp buyers
Amp Loudness
Playing guitar through a full-range amp
More power!
On increased sound level with multiple speakers
Turn that amp down!
The Vibro-King and the Hot Plate
Vibro-King setup
How does the Vibro-King compare to a tweed or blackface Fender amp?
Which FRFR system should I buy?
strings
Comfort above all else
More Tone Secrets
On string gauges
Strings and finesse
Tips for guitarists
Vibro-King setup
studio
Computer-based recording
Edirol PCR-50 Keyboard
Yamaha QY700 Sequencer/Synthesizer
Roland SH-32 Synthesizer
First time in a studio?
Tapco MIX100
style
2007 Musical Goals
2007 in review
Box of 1,000 sounds
Musical Clichés
The Downside of Cliches
Electric guitar as a folk instrument
Old Dogs, New Tricks
Simpler, ever simpler
Solo Improv Guitar
Strings and finesse
Why play?
technique
2006 Musical Goals
2006 in review
2007 Musical Goals
2007 in review
Art vs. artifice
Beware of placing form over content
Developing creativity
Does gear define the player?
The Downside of Cliches
Electric guitar as a folk instrument
Gain, volume and dynamics
Is it the gear, or not?
Do you want good tone?
Hearing with your eyes
Improving as a player
Losing my Boogie "religion"
Musical Goals
Old Dogs, New Tricks
Reconsidering the "palette" analogy
Pedal hangover
Simple Gear, Complex Music
Solo Improv Guitar
Solo performance
Strings and finesse
Suggestions for guitarists
Technical perfection vs. the element of surprise
Tips for guitarists
"Tone" is not the goal
Touch dynamics
Why play?
technology
On Gibson's MAGIC and guitars
A/B switchers
Advances in technology
Advances in Technology, Revisited
Amplifier Evolution
Anatomy of a listening test
Anectdotes, Theories and Facts
Are tubes good enough for the future of guitar music?
Beware of placing form over content
Boutique gear?
Box of 1,000 sounds
Bypass
On channels... to switch or not?
Amplifier "class" distinctions are useless
The "Class-A" illusion
Complexity and tone
DIs, Speaker Simulators and Amp Modelers
The future of digital guitar amplifiers
Longevity of digital gear
Digital rig pros and cons
Benefits of a digital guitar rig
The Downside of Cliches
Effect loop pitfalls
Evolution and Contradiction
Flat EQ for guitar
Do you really get what you pay for?
Golden Age, or beginning of the end?
Grateful Dead
Playing guitar through a full-range amp
High-end Cables
How many true-bypass pedals is too many?
Big Music can no longer afford talent
Lectrosonics IS-400 Wireless System Review
Modelers vs. Tube Amps (1)
Modelers vs. Tube Amps (2)
Modelers vs. Tube Amps (3)
Multieffects vs. pedals
The Music Industry is not Broken
Obsolescence
Reconsidering the "palette" analogy
My pedal pops!
Will the recording industry become obsolete?
Simple Gear, Complex Music
Simplicity
How to use a standby switch
Technology vs. passion
"Tone" is not the goal
Touch dynamics
What is "touch-sensitive"?
Are guitar players stuck in the past?
Fender Trans-Impedance Power Attenuator
True bypass, cables and buffers
"True-Bypass" revisited
Tubes vs. transistors
The voice is not the message
terminology
Amplifier "class" distinctions are useless
The "Class-A" illusion
Lies, damn lies and specs
Online guitar forums
Tone Terms
Amp terminology: Touch Sensitivity
troubleshooting
Amp troubleshooting tips
Troubleshooting the Blue Angel
Effect loop pitfalls
Multi-Amp Pitfalls
tubes
Advances in Technology, Revisited
Advice for first-time amp buyers
Amp troubleshooting tips
Are tube amps right for small venues?
Are tubes good enough for the future of guitar music?
Troubleshooting the Blue Angel
On buying a used amp
The future of digital guitar amplifiers
Maybe it's not a phase, after all...
Obsolescence
Preamp Tube Substitutions
How to use a standby switch
What is "touch-sensitive"?
Vibro-King setup
tuning
Electronic tuners
Tips for guitarists
tweed
How does the Vibro-King compare to a tweed or blackface Fender amp?
September 19 2008 22:48:45 GMT